BuySoundtrax Records is pleased to announce the release of BRAVEHEART: THE FILM MUSIC OF JAMES HORNER FOR SOLO PIANO, a compilation of newly produced recordings celebrating the work of one of the modern giants of film music.
With this collection, begun prior to the composer’s untimely death, classically trained concert pianist and composer/orchestrator/conductor Dan Redfeld has adapted fifteen of James Horner’s finest film themes or suites into the purity of solo piano performance. By distilling the orchestral power of these compositions into the expressive intimacy of the grand piano, the clarity of Horner’s abilities as a melodist and musical craftsman can be strikingly recognized. Redfeld has adapted these reductions from published piano arrangements, studying of the original full scores and, where necessary, his own transcription of the music from the movie or the soundtrack album itself. “For me, James Horner was one of the great musical voices of the last twenty or thirty years of film music,” said Redfeld. “I hope in time he’s remembered at the level of Rózsa or Williams or Goldsmith, because I feel he was equally as talented and his contribution to music equally as important.”
Dan Redfeld is a classically trained concert pianist and composer/conductor who studied at Boston’s New England Conservatory. While many of his fellow students were embracing modernistic, atonal music, Redfeld was more interested in tonal, neo-romantic music, an inclination grounded by his studies with acclaimed composer and pianist William Thomas McKinley. At the same time, Redfeld had discovered a love for film music through the work of John Williams in JAWS and STAR WARS. Through McKinley, Redfeld met and watched Williams at work with the Boston Pops, and the famous film composer’s influence settled into his artistic design. Redfeld began scoring short films for the American Film Institute, and in a day when many film composers were coming out of popular music into Hollywood film scoring careers, he found his academic background particularly advantageous to the music he was writing.
With this new album, Redfeld hopes to uncover the talent and craftsmanship of James Horner as revealed by the reinterpretation of his orchestral film music into the simplified, organic medium of the concert piano, and that listeners can thus gain new insight into the composer’s craft. “Doing albums like this has been a great learning experience for me to examine the work of composers whose skill I’ve respected and whose music I’ve loved,” he said. “For me, it’s about how I can honor James’s music in a way where you can still see the structural integrity of his music, even when reduced in form to be played on a piano.
BRAVEHEART: THE FILM MUSIC OF JAMES HORNER FOR SOLO PIANO is an excellent overview of James Horner’s career and includes music from STAR TREK II: THE WRATH OF KHAN, LEGENDS OF THE FALL, TITANIC, THE MASK OF ZORRO, DEEP IMPACT, KRULL, BICENTENNIAL MAN, WILLOW, THE PELICAN BRIEF, AVATAR, COCOON, BATTLE BEYOND THE STARS, FIELD OF DREAMS, THE ROCKETEER and BRAVEHEART. The album contains liner notes written by author Randall Larson providing insight into the history of the music and the composer with insight from Dan Redfeld into the creation of these new performances.
Dragon’s Domain Records, to be distributed by BuySoundtrax Records, will be releasing THE UNTOUCHABLES, featuring music composed by Joel Goldsmith (STARGATE UNIVERSE, STARGATE ATLANTIS, STARGATE SG-1) for the 1993 television series developed and produced by Christopher Crowe, starring Tom Amandes as Elliot Ness, John Haymes Newton, David James Elliot, Michael Horse, John Rhys-Davies, Nancy Everhard, Valentino Cimo, Paul Regina and William Forsythe as Al Capone.
THE UNTOUCHABLES was officially based on the classic 1959 TV series that had starred Robert Stack as Federal Agent Eliot Ness, although the influence of Brian De Palma’s 1987 feature film version was also very much in evidence. The series premiered on January 11th and lasted two seasons, broadcast on Paramount’s UPN television network from 1993 to 1994.
THE UNTOUCHABLES was created and developed by Christopher Crowe, who wrote nearly all of the series episodes. Crowe had been an executive producer on the revived ALFRED HITCHCOCK PRESENTS in 1985 and had co-written, with Michael Mann, the screenplay for Mann’s LAST OF THE MOHICANS (1992) in addition to writing and directing the mystery thriller WHISPERS IN THE DARK (1992). THE UNTOUCHABLES focused on Ness and his fellow officers’ attempts to quash the ruthless crime wave of Al Capone in Prohibition-era Chicago; their team is designated “untouchable” because they couldn’t be bribed or intimidated by the mob. Crowe’s vision for the series, unlike the original TV show or the De Palma feature film, was to stick to a historically correct portrayal of Chicago in the 1930s. The series was filmed on location in Chicago, with additional expenses incurred for vintage vehicles and complicated stunts and action sequences.
Joel’s journey to THE UNTOUCHABLES began when he scored a short-lived TV series called H.E.L.P. in 1990. His father Jerry Goldsmith was hired to compose the series theme and his agent Richard Kraft suggested Joel write the underscore for the pilot. The producers agreed and when the pilot went to series, Joel wound up scoring that as well. The same situation occurred again with the TV Western, BROTHERHOOD OF THE GUN (1991; aka HOLLISTER), which was made by the same producing team; Jerry wrote the theme and Joel wrote the score for the movie. Later, when the same team came together to launch THE UNTOUCHABLES, discussion was again held to have Jerry write the series’ theme and Joel compose the episode music. But Jerry’s schedule turned out to be too busy and he could not become involved in the show. The producers offered the show to Joel, who ultimately composed all 42 episodes of THE UNTOUCHABLES. Joel’s theme turned out to be one of the best of his career. As it turned out, Jerry came in to conduct the orchestra for the main title, as well as a few cues in the pilot.
Since his first cinematic composition, a collaboration with then-newcomer Richard Band on the low-budget science fiction thriller, LASERBLAST (1978), Joel scored a number of feature and television films throughout the 1980s and ‘90s, including the sci-fi series SUPER FORCE (1990), Roland Emmerich’s early sci-fi thriller MOON 44 (1990), and Jim Wynorski’s gentle family comedy, LITTLE MISS MILLIONS (1993). After THE UNTOUCHABLES, Joel went on to score the TV series HAWKEYE (1994), BAD BLOOD (1994, aka VIPER), Jim Wynorski’s VAMPIRELLA (1996), KULL THE CONQUEROR (1997), TV’s WITCHBLADE (2000), HELEN OF TROY and several iterations of the STARGATE TV series (1997-2011). He also provided synthesized sound effects for STAR TREK: THE MOTION PICTURE (1979) and composed additional music for STAR TREK: FIRST CONTACT (1996). Tragically, Joel passed away at the age of 54 on April 29, 2012, from cancer.
Dragon’s Domain Records, to be distributed by BuySoundtrax Records, presents the world premiere release of Joel Goldsmith’s music for THE UNTOUCHABLES, mastered by James Nelson at Digital Outland. The booklet contains liner notes written by author Randall Larson. THE UNTOUCHABLES is presented on 2 CDs. The first disc contains music from the pilot episode, and thus contains the richer sound of the full orchestra. Music from fourteen selected episodes from Seasons 1 and 2 occupy the second CD, while different versions of the main title theme bookend each disc. Fans of the composer will find much to enjoy on these two discs.
THE UNTOUCHABLES is a limited edition of 1000 units.
